Yusef cannot walk away untouched, and instead finds himself gripped by more flashes from the past: Review the idea of imagery or the literal and figurative language authors use to help readers visualize. This connection is extended through word choice, as his face "fades" and "hides inside" the granite.
The outline of his face that allows him to be identifiable and distinct from the memorial vanishes, and he and the memorial have in effect become one congruent entity. Have students read the poem as a set of directions for visualization and create a numbered list of images.
In pairs, ask them to share how the experience of mental movie-making shaped their experience of these texts. Ask students to recall a time when a text maybe a love song or horror story evoked powerful mental images.
As his face becomes clear it now serves as a direct reminder of the emotional impact of his surroundings upon him, through mirroring his own face and also by simultaneously illuminating his surroundings and his silhouetted existence within these surroundings, reminding him that he stands within the Vietnam Memorial.
A plane in the sky. For Yusef, the memorial is more that it appears; it is not just cold stone, but something he identifies with on a more deep and profound level.
For Yusef, this memorial does not awaken in him new emotions but old reoccurring ones; ones which he fights to contain with little success, although he came to the memorial with the knowledge that he would find it a highly emotional experience.
The one name Yusef reaches out and touches is that of Andrew Johnson: He struggles to internalize his emotions, telling himself he is stone, like the granite memorial, a strong and steady reminder of the past, but he fails as he realizes the difference between him and the memorial: For Komunyakaa, looking at the Wall is a catalyst.
Extend the performance to include other poems by soldier poets that illuminate the experience of war, and discuss the role of image and memory in each. Then have them discuss the reasons why the speaker selects and arranges the images in this way.
It is this deeper meaning that inspires his emotional response in the next lines: This is why it seems that Yusef finds it hard to comprehend that other people should not visibly carry the impact of the war with them also, wherever they go. What do these images reveal about what the speaker faces, how does one experience lead him to another, and how does visiting the wall help him face these experiences?
By doing this Yusef has identified himself as an African American and forged a connection between himself and the memorial through similarities of color.
This effect is described within the next few lines: Originally his face was distinct, but faded into the memorial as he came to terms with the depth of its meaning, and his emotions came to the surface.
His reflection "eyes" him with the same eyes that rebelled against his self control and gave proof to his emotional tumult through their tears. Yusef reads the names on the memorial: You may extend the discussion to explore associations to other conflicts in American culture that each image evokes and discuss the role this national monument plays in telling the story of the U.
A Strong Clear Vision, a documentary about Maya Lin, the architect of the monument, is available in many public libraries. To Yusef the names do not represent the loss of war, to Yusef these names represent a multitude of individuals, and the memories he shared and events his witnessed with them.Yusef Komunyakaa: Online Poems.
Elegy for Thelonious Damn the snow. Its senseless beauty pours a hard light through the hemlock.
Thelonious is dead. Winter Facing It. My black face fades, hiding inside the black granite.
I said I wouldn't, dammit: No tears. I'm stone. I'm flesh. Free Essay: Analysis of "Facing it" by Yusef Komunyakaa Cruel and terrible events forever leave a mark on our memory. Especially, when these events. Yusef Komunyakaa was born in Bogalusa, Louisiana.
The son of a carpenter, Komunyakaa has said that he was first alerted to the power of language through his grandparents, who were church people: “the sound of the Old Testament informed the cadences of their speech,” Komunyakaa.
Dive deep into James Willie Brown's Facing It with extended analysis, commentary, and discussion Facing It Analysis James Willie Brown.
Homework Help As in many of Yusef Komunyakaa’s. Yusef Komunyakaa - Poet - Poet Yusef Komunyakaa first received wide recognition following the publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his incorporation of jazz influences.
Yusef Kommunyakaa's Emotional Response Surrounding the Vietnam Memorial Yusef Komunyakaa emphasizes his ethnicity at the very beginning of his poem "Facing It" in the first lines: "My black face fades,/hiding inside the black granite." In these.Download