However, Shakespeare skillfully manages to make Desdemona so good that she willingly sacrifices her life for the love of her husband, to be murdered by him.
There is no justice for women in the world of Othello; but there is no justice to women in this world either!
Because Iago feels that Moors are below him, he acts out against this injustice. Moreover, he contends that Hamlet is convinced that revenge is pointless, for, unlike remembrance, it cannot restore that which has been lost.
He feels that this is clearly unjust, as Iago believes that he would be much better suited for the job. It is that sense of justice given through the ultimate tragic realization and the self-destruction of Othello that the cathartic effect is achieved.
Nor is the death of Emilia by any means just; her death is sheer injustice, but here also, probably because she is a minor character, her death is not given much attention. We do notice how Othello tries to justify rather than feel guilty and ashamed; but the expression of his passionate love for Desdemona makes him tolerable.
By contrast, Michael Cameron Andrews claims that regardless of moral or religious injunctions against personal vengeance, Elizabethan and Jacobean audiences shared a universal, instinctive desire to see violence repaid with violence—and that Shakespeare understood and even, on occasion, sympathized with this impulse.
Eleanor Prosser asserts that Shakespeare scrutinized the moral and ethical quandaries facing the revenger much more closely than did any of his predecessors or contemporaries. Despite the lack of poetic justice for some of the characters, the poetic justice given to the major male characters, including the hero makes us feel satisfied at the end of the drama.
She notes that through its depiction of a female character who devises a revenge strategy ingeniously suited Justice in othello and the tempest essay her intention—the exposure of Malvolio—Twelfth Night inverts a dramatic convention and challenges male domination of the social hierarchy.
Othello is an individual who strongly supports the idea that when an individual treats another unjustly, he should be subject to whatever punishment the wronged individual sees fit in order to obtain his sense of justice.
This is because we feel that some characters are punished for no justifiable reason, though there is justifiability in the tragic end of the hero due to his own error of judgment or tragic flaw.
An individual who seeks justice against a loved one will go to even greater extremes to obtain this justice. In his discussion of Hamlet, Mark Rose also considers the stock role of the revenger, proposing that while Hamlet is not averse to the idea of bloody vengeance, he finds the traditional form of revenge philosophically and aesthetically contrary to his image of himself.
Seeking revenge as an attempt to feel as though justice has been served eventually leads to the downfall of the individual, whether by his own feelings of guilt or by the actions of others.
The search for justice has a significant impact on the play as a whole. Mark Rose essay date Shakespearean Criticism.
That stupidity is punished for, and we feel that his suffering is justified. Shakespeare only manages to show the reality, unwittingly, rather than arbitrate poetic justice to the characters. David Scott Kastan asserts that Hamlet tries to persuade himself that revenge is a means of restoring the past, but ultimately he rejects vengeance, both because it is futile and because it entails replicating the crime that incited it.
Similarly, Cassio also suffers due to his own silly mind; it is also justified that he is rewarded at the end because he is innocent and also efficient. Harry Keyishian see Further Reading examines the destructive power of revenge in Julius Caesar, noting that its various manifestations share a common idea: She argues that his depiction of revenge generally reflects normative religious and ethical precepts that condemn personal retaliation for a wrong; indeed, she contends, Shakespeare endorsed the idea that revenge is the prerogative of heaven.
However, because the actions taken were more extreme, the consequences will also be worse. We will write a custom essay sample on Justice in Othello or any similar topic specifically for you Do Not Waste HIRE WRITER When an individual feels as though he has been robbed of his rightful acknowledgements, he will go to extreme measures to obtain justice—in fact, in working to attain justice, he will end up lapsing into a plot of revenge.
But, her murder shocks us. Iago also feels that Othello is unjustly in a position of power and authority. Each individual has a different understanding of what justice is, and many will go to extreme measures to receive justice.
One may say that Desdemona also deserved the opening of her eyes by means of some suffering, because ignorance and childishness cannot be fully forgiven. Eleanor Prosser contends that Titus is a good man who has been genuinely wronged, but his extravagant grief leads to madness, and he forfeits our sympathy with the form of his vengeance on Tamora and her sons.
Black links the play with contemporary revenge tragedies and compares it, in particular, with Hamlet.
Also addressing the issue of language and signification in Titus, Douglas Green argues that the play is replete with instances of men, especially Titus, suppressing attempts by women to articulate their suffering, determine its meaning, and exact their own revenge.
However, after learning that Iago tricked him into mistrusting Desdemona, the magnitude of what he has done becomes apparent to him, and he kills himself.
In the tragic play Othello, the issue of poetic justice is not fully satisfactory. When an individual searches for justice, he will find that the extremity of his actions lead to severe repercussions that ultimately outweigh the success of attaining his justice.
Danson describes it as an anomaly, especially with respect to its rhetoric. However, the individual will go to such extremes in an attempt to receive justice that the repercussions of his actions will overpower the feeling of success he attains in his endeavour. In his eyes, he cannot obtain his justice while the person who has wronged him is still living.
Othello suspects that Desdemona is being disloyal to him and sets out to gain justice. As with revenge tragedies, he points out, The Tempest keeps the audience in suspense with respect to whether Prospero will exact vengeance on the conspirators—his decision to forgive them is not revealed until the final scene.In Othello, William Shakespeare develops the idea that an individual will go to extreme measures in order to obtain his own sense of justice.
However, the individual will go to such extremes in an attempt to receive justice that the repercussions of his actions will overpower the feeling of success he attains in his endeavour. Characters in Shakespeare’s Othello and The Tempest use stories to explain personal history or change the course of events.
These are no simple tales; rather, they are complex and thought-provoking means of enriching each play and carrying action. Essays - largest database of quality sample essays and research papers on Justice In Othello.
Richard Madelaine () links the final scene in Othello with culminating episodes in English revenge tragedies, and he considers the climactic scene in The Spanish Tragedy a “major influence” on Shakespeare's depiction of the murder of Desdemona. Poetic Justice in Shakespeare's Othello The term 'poetic justice' refers to the just division of reward and punishment to the characters.
Any serious art is traditionally expected to make the audience feel that there is justice, at. Essay about Othello’s Dramatic Flaw in Shakespeare's Othello - The play “Othello” by William Shakespeare was written in during the Elizabeth era.
Othello is one of the most extraordinary characters in all of Shakespeare’s dramas.Download